Getting the Knack

A three-room apartment, the embodiment of claustrophobia. Somehow there was never enough light in that place--it was as though the eternal gray layer of city dust filtered out pure light, as well. Four of us lived there, with one bedroom shared by myself and my older brother, and the living room's pull-out sofa the designated domain of Mom and her boyfriend (we called him a stepfather, for propriety's sake). There was a pervasive unease about that living room, because it was the site of unpredictable outbursts by my stepfather. Usually these were late-night, though not always; typically they were provoked by alcohol; frequently the blasting verbal barrage would be followed up by slaps, punches, or outright hurls of my mother's birdlike form from one side of the small room to another. How she never broke a bone remains a mystery. If there were bruises, she managed to conceal them and retain her 9-to-5 secretarial post without anyone being the wiser.

Incredibly, considering the dearth of space in our home, the single bedroom was rarely entered by my mom, and never by my stepfather. It was lighter in there, and it had a magical escape pod: the back window. No ordinary window, this was a prewar portal about five feet tall. Its width perfectly cradled my sitting form...thus, I would sit at my sixth-floor perch, big Radio Shack headphones clamped on my head, staring out over the patchwork roofs, sparse trees, and sidewalks of Astoria, Queens. Behind me was a scuttled scrap pile of domesticity. Ahead of me was the world of my neighborhood, shimmering in dusk light or glinting in sunshine. My senses were wide-opened by this window vision: breezes nuzzled me; interspersed trees popped a brilliant green into the grays and browns of city life; I smelled other people's food, sweet outdoors air, the occasional hint of exhaust...

...and what did I hear, planted in that window, gazing and escaping? Well, in 1979, among many of my favorite artists, I heard the Knack. And the Knack became the shining sound of my freedom.

My heart lifts even now when I think of Get the Knack. I had long since established myself as a Beatles fan, and suddenly a band of my era was building something new and edgy on that familiar power pop foundation. That made me feel championed and upswept into my own hopeful now. The album's packaging was slick black-and-white, with its black portions gleaming just like the inner circle of vinyl. The band photos and even the rainbow Capitol record label mimicked the Beatles' heyday, at once parody and homage. As such, this LP was easily dismissed upon its (admittedly hyped) release; I recall many jaded critics and even my own brother giving it the one-handed brush-off. That only fueled my ardor. Not for nothing did the band title their second album ...But the Little Girls Understand. The men didn't know, indeed.

Plunked onto the turntable, the Knack's sound was percussion-driven and propulsive right from the get-go. (Bruce Gary was vastly underrated.) Berton Averre's guitar rang clear, banging and clangy. Prescott Niles' bass bottom was thick and supportive. And there was Doug Fieger's indelible voice, by turns bratty and manly. He teased, yearned, scored. The band's lyrics conveyed impatient sexuality and a simmering anger that spoke volumes to my 15-year-old thwarted self. I had a knowing inside me that was--I can say now--deeper than many of my peers'. Forged by my home's strife, perhaps, but also by my voracious reading habit and my writer's sensibility. I gathered shreds of learning and quilted them immediately. And oh, I wanted wanted wanted.

A fatherless girl (my stepfather was a straw man, and my own father long disappeared), I craved touch, warmth, and companionship. I wanted to learn someone else's ways, and thereby, to believe there was a better life to be had than what was behind me in that apartment. I wanted to be understood, surely, but even more so, I wanted to understand someone else completely. Immerse. Leave.

As such, I was governed by crushes that burned hot at the front of my mind. Not unlike the Knack's protagonists, who sang things like:

I don't expect you to understand
The thrill I feel when I hold your hand
But this is something I never planned
You're thinking of me as just a friend
My heart is breaking, I can't pretend...

and

I don't want much, uh-uh,
I don't wanna be her boyfriend forever...
I just wanna...touch

and

She's gonna take you by the hand, lead you to the promised land
She'll make you weak and out of breath, feeling like you're done to death
Oh, I wanna hold you
Oh, and then enfold you....
She'll be pulling the string
But she'll tie it in a knot before she'll give you anything!

(Yeah, go ahead, replace the she's with he's. Worked for me.)

I listened and memorized and craved for weeks. And then I experienced a Knack-engineered moment that was transcendent.

The place: my friend D.J.'s garage. D.J. had what most of us Queensites lacked: a full-sized, freestanding house. Its two-car garage had been made over into a 1970s extravaganza of a wood-paneled bar, complete with pool table and a real pinball machine. As I think back, I can't understand why I didn't just buy a sleeping bag and move in. But whenever I could, I would loose the tether of home and hang out in that den of easy laughter and play.

We were a crowd of friends, back then, each with our own demons to wrestle (again, something I can say now...then, I might have wondered, but mostly never considered it). Among us was a boy I desired mightily. He and I were friends on an intellectual level--not to sound overstuffed, but we discoursed about poetry, politics, and religion along with our pop-cultural musings. Yea verily, I had crushes abounding, but he was my strongest focus, the catch I strained to yank into the boat.

D.J. was a man of disco and cheesepop, but somehow one afternoon as we gathered in celebration of Labor Day, Get the Knack was successfully slipped into his boom box cassette player. Wooo! As a pool game lazily unrolled, and the conversation with it, I rocked around the room to the first few cuts on the album (no single among them, yet I knew them each by heart). Cut number five was the first resting moment, a true ballad that I had taken to heart with desperation, always pining for this crush-boy:

I don't know why I never said it before
I dont know why i waited so long to be sure
but I...everything's humming,
Something is coming, maybe tonight....
Funny to think I had to clown and pretend
You never knew I saw you as more than a friend
but I...come hold me tighter, come make it right,
maybe tonight, oh maybe tonight....
Of course I knew every word. And for some reason, I dared myself to sing this track out loud, there among my best friends. It felt liberating...and far more so, as I heard crush-boy's voice singing with equal fervor alongside mine. My heart raced and my mind wobbled, but I stayed cool and sang it out with him.

Did he touch me that night? Well, no...not for a couple of years, at that, and even then only fleetingly. But it didn't matter, and it still doesn't matter. That song has silken threads woven around it to this day. You could say, I started to grow a wing right then, in D.J.'s garage. That would be entirely true.

Freedom. I'm indebted to the Knack for helping foster that. And I escaped, oh yes...largely unscathed, and fully myself.

There's a further Knack-related coda to this story. How many of us have the good fortune to gather new best friends in our full-on adulthood? I know it hasn't happened often for me; after the safe haven of D.J.'s garage and the all-embracing arms of college, I haven't connected with many people. Adulthood's definitely had more of a lonely cast about it, which I guess accompanies responsibilities like dinner and paycheck and nurturing. Not so much freedom to be discovered in those, moreover.

Well, five years ago, I came to know a group of wonderful women on, of all things, John Mayer's fan club message board. (I'm sure my family's memories of that year involve the staccato tapdance of my PC's keyboard as I kept up with messages and tales from all over the U.S., literally from friends I had not met.) One by one, these women had been meeting up at concerts (where, I might add, they managed to score amazing seats right in front of Mayer). Those meet-ups were then retold on the board, and they sounded exhiliratingly fun. I dithered for awhile about whether I should head out on a Mayerventure...and in so doing, crest years of fear about airplane flight. 'Cause to be sure, Johnny boy wasn't hitting up the state of Maine.

In September of 2004, one of our friends tragically lost her husband to a horrible industrial accident. The Mayer friends banded together as we had been doing for other sad situations among us, sharing messages of support on the boards. From our disparate locations, we each began crafting quilt squares to express our feelings and share love with Mary Ann. Later that fall, the quilt was to be delivered in Chicago.

Never been to Chicago. Hmmm. And one of the Mayer friends, Karen, was a southern Mainer who wanted me to fly out with her. We had never met in real life, despite our relative geographical proximity. I knew she had recently lost her mom and was really looking forward to a little escapism after a sad, painful year. I pondered for a few days, and did not manage to persuade Karen that maybe we could drive...? No, she said firmly on the phone, we are NOT driving halfway across the country in December. I guess the train...? NO.

So...I gave in, leaping into quite an unknown. We flew. Got to know each other through revealing conversations, crammed next to each other in commuter jets. On one of the flights we were seated at the rear, and after we landed, there was a lull in the crowded line waiting to disembark.

"Let me out," I sang impatiently under my breath.

Karen was right alongside me. Her deep brown eyes went large, and then she smiled knowingly. She sang back: "Let me out, come and get me out, 'cause I've been stuck in for too long."

Now it was my eyes that bugged. That was the opening lyric of the Get the Knack album, a jaunty ode to, yes, escape. It turned out that Karen had accompanied her own emergent adolescence with the selfsame soundtrack.

We'd been enjoying each other's company, before. Now, we were insta-bonded. Karen is the Lobsta with whom I've since ranged all over the map in search of microbursts of freedom, to decorate our motherhood lives. And because of her, I found the innate bravery to fly south to New York multiple times the following spring, caring for my mother in her final illness. Karen always knew exactly what I was feeling...a gift that still hasn't stopped giving.

I was moved to write this by the generosity and artistry of Doug Fieger and Berton Averre, who've friended me on this amazing planet called Facebook. Thank you, thank you, for also knowing exactly how I was feeling, spanning three decades and going strong.

The door

Posted in honor of my eldest child, who is filling in line after blank line, crafting personal essays, imagining herself on a campus, becoming. And in honor of a friend, whose first-ever spring break is beckoning. While my initial instinct in writing this was to capture specificity for remembrance's sake, I find myself wondering if there is any universality within its lines. And thus...I blog.

The door is painted a gloomy forest green, reminiscent of the ancient, heavy pines that hem in the Bowdoin College campus. At eye level, he has posted a sign, a scrap of wood on which he’s burned deliberate words with his blowtorch. “OFFICE OF THE REV,” it says. And underneath that: “Come in and sin.” For an Irish-Catholic freshman girl, this is too laden with irony to even contemplate. Best not to think about it.

And so, as her foot scrapes across the threshold, she doesn’t. Nessa wonders why this mysterious junior has befriended her. He is a biochemistry major, an obvious genius, though he is far too much of a partier to be a true science geek. Also, he’s got a mess of curly red-brown hair which never looks as though it’s been combed (she will learn that it is, in fact, combed diligently each morning after his mandatory wake-up shower…it just springs into disarray as soon as the air starts to dry it). She is not impressed with the hair, at first. She likes Peter Frampton-esque, Rex Smith-y hair, that tumbling-onto-the-shoulders thing. David’s seems too unruly for her lust. It’s only later that she begins to covet its hidden swerves and swirls, lose her fingers in it, adore its nonconformity.

David dabbles in mind-alteration with serious intent. He needs to know; he is a scientist. She avoids such loss of control as seriously, having watched friends and family members melt into uselessness with substance intake. She does, however, drink. Prodigiously. After a party, as she lays in her miserably flat dorm bed, she’s prone to bouts of the spins that make her gleefully giddy. (Silently, of course--it’s a creepy, unwelcoming dorm, after all.) David is the first person who will ever hear her giggling after the party’s over. He’ll sling an arm around her neck and take the joyride with her.

But first, he needs to let her know that he’s interested. And being David, he’s not quite certain that he is. Inscrutability is his hallmark in this fraternity he lives in, and he even finds himself inscrutable on occasion. Oddest of all, he’s fashioned a bedroom out of a storage room down in the basement...right alongside the bar. Easier that way, staying up till all hours and just drifting a few feet over to your bedroom. A number of times since he set up the Office of the Rev, he’s been accompanied by a random woman as he heads for the bed. Now he squints at this, well, inscrutable freshman and wonders if she’ll be next. Nessa has long brown hair, an essential trait for Dave. She smiles all the time, but not in a vapid way--it’s a never-ending string of in-jokes that you just want to be in on. That’s the first thing that’s drawn him in. Oh, and she has a noteworthy ass, which sways in hipster Levi’s.

Here’s what he’s heard about her in the two months since she joined his co-ed fraternity: there’s a boyfriend back home, but it’s pretty much over. Someone in the house says she’s slept around a lot since arriving at Bowdoin. Dave’s studied Nessa these past few weeks, and he doubts it. She definitely was dating another freshman there for awhile--Dave saw her get into his massive ’69 Chevy one Friday evening, and then there was that house party when he saw them dance for hours. At one point they were back to back, swaying in time, heads tossed back with abandon. That made Dave wonder if maybe the rumors were true. But no, she’s Catholic, he heard her say that. He knows the M.O. of the shiksa, and usually it’s never more than pretend, dance floor come-ons. But he wants a try at that move, oh yes. He knows Nessa is more than a tease because he’s talked to her. She’s a storyteller and a deep listener. Not a typical freshman...an old soul.

Here’s what she’s heard about him in the two months since she joined his co-ed fraternity: Dave is a freak. He’s weird and even somewhat dangerous, prone to laboratory explosions and electrical mishaps. This does not jibe with the persona she’s encountered, like that one night when she was upset about Mike, the back-to-back-dancing freshman who had dumped her twice in one month. Broody from rejection, Nessa found Dave lolling around after a party had dissipated, watching TV. He was buzzed nearly beyond recognition, but he listened avidly to what she was saying. And he reassured her, at length. In two months of Bowdoin life, there’s been very little comforting that was delivered as sincerely as that. Also, Nessa knows that David has a cat, a fluffed-out beige male coon cat who comes and goes as he pleases. Malthus, his name is--his fur looks wild, but his eyes are deep. He reminds Nessa completely of his owner, and she’s equally endeared when she thinks of either one of them. No, she can’t believe that a single guy who owns a cat can be all bad, or even half-bad. Nessa thinks David is very sweet, and only a little scary.

And now she’s in his room. Just visiting. She’s asked to see his LP collection, because she’s heard a lot of his music during basement parties--when Dave’s stereo serves as the house sound system. The records are stored in crates at a right angle to his bed. She pulls a few square albums out of the row, and backs up a little--boom, sitting on the bed. A quick glance at the sidetable to her left reveals three things:

—an electric-blanket controller
—a fetal pig in a jar
—a contact lens case

She tries really hard to piece together meaning from these items, but it’s not cohering. Hmmmm. Nessa peruses the albums, flips them one by one. Definitely wants to tape Men at Work and the Police. He recommends the Moody Blues and the Dead. She’ll think about it. She hands him the LPs and picks up the fetal pig, peers into the jar.

“It’s like some kind of weird snow globe,” Nessa says absently. And if you swish the jar just a little, the well-preserved miniature pig swirls around. She stops moving the jar and looks intently at the specimen as it slows. She’s not a scientist, but she is absolutely fascinated by science. The pig’s snout is tiny and perfect, its back rounded as if in slumber--the suggestion of a spine under the skin. And there’s a delicate curlicue of a tail. “Wow,” Nessa says aloud, not meaning to.

She never asks him where this pig came from, and at no point does she ever find it strange that he sees fit to display the pig right next to his bed.

A week elapses. The College is heading into the restlessness of Thanksgiving: students anticipating a quick shot of home life while dreading winter and exams, and drinking more to combat the onset of dark, dark evenings. On one such ink-black night, a Monday, Nessa has wandered over to the fraternity. Schoolwork languishes in a pile on the edge of her desk, and true to form, Nessa is studiously avoiding it. She has vowed that she will not make party nights out of ordinary weekdays, but her college career will, in fact, be marked by her propensity to fashion a party as if twirling a paper wand in a cotton-candy machine. One flick of the wrist--instant festivity.

There is no festivity at Alpha Delta Phi on this doldrums Monday. Nessa sighs as she spots upperclassmen sprawled at tables, on sofas, by the fireplace, actually working. Pencils are poised above books, and eyes are narrowed in concentration. Bah. She makes her way into the TV room, where an uninteresting program flickers on the screen. Parks herself on a couch, because this is better than facing the workload and the dormitory.

A commercial interrupts the police drama, and she sits bolt upright. Pizza. A slice being pulled from a pie, fresh from the oven, cheese stringing. There are a handful of people in this room all facing the screen, and to none of them in particular she says, “Man, I haven’t had good pizza since I left New York.”

David rises and swivels to look at her, which startles her--she didn’t even know he was there. He’s sitting closer to the TV than she. “We’ll go in a little while, then, after I finish this assignment.”

Nessa reels a little but covers it. Instead of “Huh?” she says, “Okay.” She wonders what the others in the room think of his bold statement. No one has noticed.

True to his word, in a half-hour Dave slams shut a book and stands up, turning to face her. “Shall we?”

“W-where?” she manages, standing up slowly.

“Pizza Hut,” he states firmly.

They have to bundle into puffy jackets, for the weather has turned the final corner into stark winter. Somehow this shared activity in the front hallway takes the date-like sheen off the event, and Nessa relaxes. They head out into the night, away from the driveway...she realizes they will be walking. And a long walk it is from the center of town to the outskirts strip where Pizza Hut’s logo looms. They converse as they walk, in a manner that suggests they already know the basics about each other--which they do not, in any way. But Dave seems to believe they’ve crested some hurdle of getting-to-know-you, and Nessa never has trouble speaking openly.

Her hands are jammed into threadbare flannel pockets, craving warmth. He gestures with his hands as he talks--they are sheathed in practical, dense gloves. She finds herself coveting them, envying his seasoned understanding of what a Maine college student should expect on a night like this. A hat wouldn’t have been a bad idea, either. The occasional rush of frigid wind sings in her ears.

Dave has led her to the train tracks, which meander towards the busy drag on the way out of town. Sometimes they balance on the steely rails, then they step along the wooden ties. It feels childlike, though the total darkness belies that notion.

Dave’s steps slow momentarily, and Nessa comes to a stop, wondering. She can’t see his face, really, just the blocky shadow of his outline.

“Do you want to wear my gloves?”

“Yes,” she breathes. They are beyond warm, and her hands slip in with room to spare. “Thank you--I was so cold.”

“I know.”

Ahead of them, setting the sky aglow, are neon signs and streetlights of the main drag. It’s an epic sight, making the whole walk feel like an expedition.

Nessa did not know it was possible to close a Pizza Hut. They sit for three hours in the warm-smelling, deserted restaurant, hands almost touching as they gesture across the red-checked tablecloth. They talk about childhood and ambitions and siblings and trivia. Dave is smiling in an open-hearted way; Nessa feels as though she’s passed through some portal of his persona. She is amazed by what she finds: a companion. Dave is not so amazed, because he meant to connect with her. But he is impressed that his plan has worked so well. In fact, it’s morphed from, well, a come-on, to a bonding of kindred spirits.

After walking back to campus through sleepy intown streets, Nessa and Dave spend the night together. In a computer lab. As if testing her, he has brought her back here while he finishes a problem set. She will do anything to sustain this feeling of contentment, so as he pecks at the chunky keyboard, she sits alongside like an eager Yoko. Illuminated formulas march across a black screen. If she stares, it becomes a monotone Light-Brite pattern. That’s as much meaning as she could ever derive from the advanced math he’s studying, anyway. Above them, buzzing fluorescent tubes betray the hour: 2 a.m. She has never been in this room before, and she will never be in it again.

He walks her home at 4:30--just a little ways across the quad. The air has thickened with a cold fog, and they’re both shivery as she unlocks the door to her room.

It’s a double, actually; her roommate claimed the inner room (more privacy) and Nessa has her bed and a sofa here in the outer room. Anne’s door is closed, which is the most privacy Nessa can get. She leads Dave to the sofa, and they sit next to each other awkwardly, as if it were a porch swing. They speak in phrases, with long silences between them.

“So glad we went for pizza.” Him.

“Can’t believe it’s almost Thanksgiving.” Her.

His hand nudges hers gently, clasps it.

“I’m glad you asked me, um, to go out tonight.” Her, again.

“I am, too.”

Longer silence.

“Would it be all right if--can I kiss you?” Suddenly, he is unsure of himself.

She leans towards him, completing this role-shift, and as she nears, says, “Yes. I...yes.” It’s the most innocent first kiss either one of them has ever had. Still, they manage to make it last for a long time, savoring.

In exhaustion, they gradually recline together on the sofa, fully clothed, warming each other, giggling. This is how Anne finds them at 6:30 a.m., and her face registers disgust as she tracks through Nessa’s room in her slippers and robe, clutching a bucket of toiletries. The outer door slams, and Nessa and Dave giggle more, an in-joke they haven’t even voiced. She reaches up and touches the curve of Dave’s face, then finds his hair, tangling in the curls. A gray dawn begins to limn her things: the bed with its rainbow-striped comforter, her shoes alongside it, the pile of books teetering on the desk. Nessa knows, right now, that she will never need to stay in this room again.

The thrill of the hunt

This evening, I saw a splash ad for Napster that said, "Download a decade," and it completely sent me back to 1987. That's the year that Peter and I decided that we had to own the 1970s: a decade that formed us, with some of the oddest, most exhuberant, cheesiest, most excessive music ever. In 1987, we were really poor, and that dovetailed with something fortuitous: the rise of the compact disc.

Yup, I'm one of those people who can actually say I remember the first time I ever heard a CD. I think it was Bryan Adams, and it really sounded funny. I can't explain that now—years later, with hundreds of CDs on my shelf—but back then, music on CDs sounded tinnier, more distant and clinical. But that may well have been due to the lack of 1) a large paperboard cover and 2) dust. We looked at CD covers, those click-y clear plastic inventions, and they seemed so micro, so literally square, and just a tad obsessive. What do you think's gonna happen to the thing, you know? Aren't those freaky rainbow mirror circles supposedly indestructible?! (That was one of the media selling points, actually.)

And thenceforth, the rise of CDs led to a flood of vinyl. Some of it was actually still shrink-wrapped in the familiar large, alphabetical bins of a record store: marked down. Way to get my blood flowing. (We used to call all chain record stores "Record Orgasm," in homage to all the "Sound Explosion," "Record World," "Music City" kind of names.) At any rate, given our fiscal challenges, most of the vinyl that Peter and I set out to acquire was humble, used, and greyish with dust. In 1987 we began haunting Goodwills, Salvation Armys, yard sales, and anywhere else that vinyl was being shunted by the uncaring listening public. We became aces at cleaning layers of dust, excavating jewels from everyday filth. A little popping and scratchiness just enhanced the audio joy, we convinced ourselves.

I can still remember the palpable thrill one afternoon at the Goodwill in Bath, Maine. They had a bin crammed with outcast records. Stuck in amongst the LPs was a homemade spindle, some kind of long broomstick attached to a wooden disc as a base. That day, the spindle was stacked unbelievably high with 45s. I'm sure we let out some girly utterance in our excitement, like "Aaaaah!" or "Ooooh!" Then we commenced to pulling a handful off the stack and flipping through the coverless 45s—carefully; why scratch them any worse than they were—and setting aside all the ones we wanted. "Walking in Rhythm," by the Blackbyrds. "Back Off Boogaloo" by Ringo Starr. "Get Up and Boogie" by Silver Convention. "Clair" by Gilbert O'Sullivan. (You know, I could rave on, but that's the gist. Semi-obscurities that sent us back in time as soon as the first chords sounded through the needle.)

So what we were doing, really? We were reconstructing our childhoods and teen years, that's what. Because when we were kids, our parents weren't doling out sufficient dough to feed our music heads. I literally used to have to sneak LPs into my house underneath my coat, whenever I'd gathered/scammed enough money for records. I was skinnier then; it was tough to get my arms to fall naturally around a big squared-off chest as I rushed into the house past my stepfather. My mother was a musician, and yet if I asked her, "Can I have money to buy an album?" she'd retort, "You already have enough records, Nessa." Like what was that supposed to mean?! (She said the same thing about books when I came home forlornly clutching the Scholastic Book Club form. "I've read all those books!" I'd say. "Read them again," she'd intone with a profound lack of logic.)

Peter's parents, by contrast, were frugal Quakers. Not musicians, but not rock appreciators either. So his only album holdings, when he got to college, were from the Columbia House "Pick 20 albums for 1 cent" deal. That ran in every magazine any kid ever touched back then. I never could have gotten that box into the house under my coat.

What was the grail, you might wonder, the serious catch that Peter and I pursued so diligently in the musty Goodwill, under the buzzing fluorescent lights? That would be: K-Tels. We worshipped them, those splashy collections of every single that mattered in a five-month time period. They used to jam some 30 songs on one of those K-Tels! The sound quality suffered from the narrower grooves on the vinyl, but who cared? Now we had "You and Me," by Alice Cooper, and "Do You Wanna Make Love" by Peter McCann, and "Flash Light" by Parliament. (Reinsert raving comment here.)

1987 is a generation ago. Peter and I, still together, still fanatics, own thousands of LPs—most of them used. We own hundreds of K-Tels, fetish objects that they are. We love singles, too, and have more than 1000 of them. In many cases, we had to fashion sleeves out of flat paper bags from a bookstore. Their numbers increased significantly when jukeboxes switched over to digital; we ended up buying scores of cast-off singles from a local antiques shop. Those 45s had played in restaurants, bars, and bowling alleys all over Maine--we know, because the sleeves on the records had a handwritten note as to where they had been.

Download a decade? Nah. Search it out like a quest, clutch it to your chest (under your coat, if you must), share it with a beloved, and cherish it always.