Living color

There is a color that I love, not in the let's-paint-a-wall way, but in the I-can't-wait-to-see-it-again way. It is the emergent green of everyday deciduous trees. Spring green. Tiny blossom-before-leaf green. It dangles beguilingly from a new leaf stem, curved almost flirtatiously toward the ground. Soon that little floret will drop, crushed and forgotten.

Taken in the aggregate, those blooms form a frizzy cloud, a dizzy announcement that everything has changed overnight.

A week hence the leaves become a mature green that excites me somewhat less, pressed flat, pointed, hand-sized . Not so symbolic, much as I adore the whisper of full-grown leaves in tandem, shushing with the breeze.

Spring green to me is all the teenage romances launched when the weather took its warmish turn. It's sunshine that lingers longer, my bedroom window flung open as I sat and looked out at the glimmering early-evening city beyond my perch (this very view, in fact):

It's that smell--you know it?--that says leisure...youth...air...winter is done. Love can begin.

In my heart there's a roster of songs that accompanied the intensity of feeling with a new romance back then. That's because I was sitting in that window with big bubble headphones, to soundtrack the reverie. Play any of those songs now, and I'm right back in it, reveling. But there's also a part of me that was made to remember those times. It's the writer, certainly; the fatherless girl, possibly, who sought to cling to someone; and it's definitely the pop-culture maven who marks everything by the sounds, sights, and preoccupations of an era. Moreover, I had the good fortune to choose worthwhile guys, so my memories of them are largely positive. Not to mention sharply etched into my brain. And fueled, luckily, by a trove of photos that I've saved for decades. Teenage fun and abandon captured in a rectangle. Faces I'll never forget--not because I pine, but because I savor.

April heralded the arrival of my beloved spring green, throughout my young years. When I moved to Maine 23 years ago, I lost that heady month. Hereabouts, April's signal colors are mud-brown and sky-gray. When the spring transition arrives in these northern climes, typically in the first or second week of May, your breath is barely drawn to welcome it when--hello!--summertime pushes its way in. This equals tourists, silver flash and gray exhaust of many out-of-state cars, surprising and sudden hot weather, and tourists. It's upheaval, not transition. Less easy to run towards. (Or maybe that's just what adulthood brings, the speeding of time, the loss of reflection...regardless of my relocation.)

I'm impatient for it anyway.

Partial Roster of Nessa's Spring-Green, Headphone-Blasting Songs:

"I Wanna Go to the Sun"—Peter Frampton
"Your Own Special Way"—Genesis
"Lovely to See You"—Bay City Rollers
"Yes It Is"—The Beatles
"A Little Is Enough"—Pete Townshend
"Dreams—Fleetwood Mac
"Love Alone"—Utopia
"Old Brown Shoe"—The Beatles
"And You and I"—Yes
"You"—Tony Banks
"In the Air Tonight"—Phil Collins
"Don't Stop Believin'"—Journey

Every day

Last year was so crammed full of experiences and emotions that I actually needed a theme song...something to put it all into perspective and make me feel understood every day.

Every day..."Every Day I Have the Blues." That was the song. It so happened that all of my losses concurred with the emergence of the John Mayer Trio as a touring unit. I had seen my mother die, literally. I had presided over the dismantling of my childhood home and placed countless mundane objects in my own house like talismans. Had spoken with everyone Mom loved, all her friends, many of whom had never even known she was sick. Their older-familiar voices made those conversations even more poignant. By June 2005, every nerve ending in my body was frayed.

And so, bruised and saddened, I pounced on the JM3 ticket presales like a tiger uncaged. I scored every show ticket I wanted. And I plotted a four-day woohoooo road trip with my dear friends Lobsta and Rappa.

When the JM3 tour finally rolled up its carpets, I had seen them six times. Five out of those six times, I'd waited for hours in line to be as close to the stage as possible. To say this was wish fulfillment is an understatement--along with the Trio, I have an arms-long list of other bands for whom I gladly would have done this in the past. So JM3 stood in for many thwarted years when I could never have gone off on a toot like this.

Seeing the same rock artist for many days straight is a gush of Almost Famous ennui, combined with I'm-with-the-band hubris. Hotel after hotel after hotel, city upon city upon city, you start to understand the bizarre otherworldliness of being in a touring band. Nothing's rooted. Nothing matters, and what if it did? Except for the stage and everything that happens there. That's it, distilled. The rest is restlessness.

Every Trio show began the same way. John Mayer, usually in a lush velvet jacket and grungy jeans, standing with his back to the audience in front of Steve Jordan's drum kit. No music...just the restless gray roar of a waiting crowd. If you were close enough, you could see that on the darkened stage, Mayer was moving his hips, ever so slightly, to the beat in his head that he was about to explode into. This moment became one of the greatest examples of antici-SAY IT-pation I've ever experienced.

Then--jolt--the song would begin with a hammering blast of two chords, over and over, insistently. Standing in the crowd, a few feet away, the pounding driving beat put shape to my pain. Then Mayer would step up to the mic, breathy and raw at the same time: "Every daaay, every day I have the blues." Oh yes, I'd think, head banging to the beat, I do. You know it. Each night that song plunged me into a blue pool of all my sadness and dire memories, then it pulled me out.

The JM3 arrangement of "Every Day I Have the Blues" moved a traditional blues number onto a different shelf where Pearl Jam and Stevie Ray reside. Ragged around the edges, dissonant, yet with solos slicing sharp and keen. I reveled in that song every time I heard it, that's all I know. And at the last gig in New York, I believed the song's power would fade, because its work here was done.

I was totally wrong about that. The John Mayer Trio just played a gig in Tempe, Arizona...the final spin of the Trio carousel, as it were. Henceforth, Pino Palladino will melt into the Who, Steve Jordan will kick Eric Clapton's rhythm section into the sky, and John Mayer will reassemble himself into John Mayer, solo. As if to announce the new day--and, for me, as if to close the book on a cataclysmic year--the Trio debuted a new arrangement of their signature opening number in Tempe. When I first read about this revision, I sighed, assuming the song would have been denuded, and in the process, made irrelevant to me. Last night my friend Allie linked me to a youtube video of the "Every Day" performance, and I clicked it with a skeptical flinch.

Ah...but instead, the Trio shook out the wrinkles, funked up the backbeat, scrambled the jigsaw, and Mayer rammed in more notes than I ever thought the song could hold. Contrary to its title, "Every Day I Have the Blues" has become an assertion of sinewy joy. A statement: this is why this band exists, to sound just like this. To live.

I needed a new theme song, evidently, and there it is. "Every Day I Have the Blues," and they will not conquer me.

Nessa's List of Arcane, Obsolete Job Skills

This morning I was pondering the many ways I've made a living over the years, and I realized that I have acquired a bizarre collection of skills, not one of which is practicable or useful in this post-post-modern world. Because many of you reading this were but oocytes when my work life began, I thought I would share the list with you (kinda like, "Gee, Grandma, what DID you do before TV was invented?!" Please note that, in fact, television was invented and adapted into a large, viewable screen size before I was born. However, I did live through the Wizard of Ozian transition from black-and-white to color...and dang it, I still like black-and-white.)

Herewith, the list:

1982: Laundress. Yes, laundress. Every Saturday morning, I was paid $25 for five hours' toil in the basement of a Manhattan restaurant. I washed and dried four loads of tablecloths, napkins, and (no shit) the owner's shirts in silvery industrial machines...and after they were all dry, I had to iron each and every one of them by hand. Which is why, decades later, the palms of my hands are pretty insensate to heat. And why I can still iron a man's shirt like a pro. There's a job skill for the ol' resume.

1982: Supermarket cashier. Polyester three-quarter-sleeved jacket with store logo, a foot pedal to move the groceries forward on the black belt, and here's the real dilly: no scanners. I had to ring up every single itemon a keypad. Throughout that summer, I would wake up in the middle of the night to find my right hand ringing up independent of my conscious mind: 1.99 Grocery, 5.50 HBA, 9.98 Meat, 4.99 Txbl Item....

1983: Operations Assistant. I spent a summer working with my older brother and a hilarious crew of co-workers in a Wall Street computer room. We were responsible for data processing financial transactions for numerous high-end firms (geez, now that I think about it, that's scary). The room was a byzantine array of whirring, humming IBM hulks, exactly like this:


It was windowless and glaringly lit, and every day we went through the same exact paces, as dictated by the mainframe's programming. My mind was constantly racing from the monotony...but luckily my co-workers were inventive (they used to make a baseball bat out of rolled-up greenbar paper, and a ball out of a wad of tape, and voila--instant diversion!)

This job taught me how to operate a punch card reader, a 1960s contraption that endured for a surprisingly long time as a data storage and retrieval method:


I was also the tape librarian, collecting plastic, circular "scratch tapes" from big tape drives and refiling them in numerical order on massive storage racks:


The awesome thing about this job--besides the spontaneous baseball games--was getting paid more than I'd ever made in my life. I bought scads of records at Tower on 4th Street that summer, plus my brother and I had a crowd of friends who worked downtown, so Friday nights were a guaranteed blowout at the Raccoon Lodge and other Tribeca haunts.

1984: Database developer. Another obsolete computer system--the DEC-10--and another repetitive, summer-long task: catalog every single photo in Bowdoin College's Office of Public Information. I actually had a blast doing this; among the hundreds of photos were 19th century glass negatives, pics of every faculty member as a novice, and relics from the protest-laden 1960s. I still use the archivist skills...only, not on a computer with a tiny black screen and glowing, dot-matrixy orange letters.

1985: Film projectionist. Yup, I was the shadowy figure in the flickering little window-box, high above the theater seats, loading huge film reels onto creaky equipment and hoping my manual transitions from one reel to the next would be seamless. I also ran filmstrips--BOOP!--in classrooms. Doing this job made me feel invisible.

1985: Disc jockey. Two turntables, a microphone, and moi, broadcasting jazz over the airwaves. Bowdoin College had a massive vinyl LP collection, and I never tired of fingering the spines in the shelves and finding new/old music to play. Three years later, the station went digital, and hundreds of LPs were ignominiously disposed of, upended into trashcans. Oh! my heart! I salvaged some, but the station managers chucked them faster than I could rescue them. Heathens.

1985: Telephone operator. Ever see those Movietone films of ladies with a clunky headset, seated at a big console full of plugs and holes? That was me, every weekday lunch hour, when I would cover for the college operator. I developed an operator patois: "MmmmmBowdoinnnnCollege," I would say as I picked up the incoming calls. They'd ask for an extension; I would pull up a thick plug, find the corresponding hole with the extension number, and ram the plug home to connect the callers to their party. And even better--once I plugged in, I had to manually ring the extension with a toggle switch. Once the call ended, the line would emit this irritating errrrrnnnnn noise to remind me to pull out the plug. If I fell behind, the console became a befuddling, crisscrossed maze of flexible wires. It was all very I Love Lucy. 

1985-86: Secretary. Smith-Corona typewriters, keys jumpy with electrified juice. Liquid paper and Correctype--lots of it. Index cards. And phones with flashing hold buttons shaped perfectly square.

1986-94: Editorial Assistant. Yet another useless computer skill: laying out a tabloid-size newsletter on a minature Macintosh screen. You learn how to scroll, squint, and cross your fingers when you hit "print".


This job also trained me in manual layout of newspaper advertisements, which required use of a waxer: a handheld metal roller with an electric plug. Inside the roller is a block of wax that's heated to sticky goo (which means it's hot as a mofo. See above for iron-acquired hand insensitivity). To do newspaper layouts, you'd scissor little paper images into the desired shape, run the roller over the back of the paper-bit, then press it into place on the master page. 

I am a master of lost arts, of machinery that clunks and whirs, plastics that are hard and inflexible, metals that gleam with the patina of use and the sheen of oil. My fingers have been smudged with typewriter ribbon, reddened by unsafe levels of heat, and numbed with keypad entry. My first dalliance with minimum wage saw me getting $3.25 an hour.

The world turns.

Sister Grace Agnes

One of the strongest influences in my life, apart from family members, was a woman who routinely bullied and occasionally whapped kids; whose eyes burned with thwarted ambition; whose demeanor was 85 percent sour; whose intentions were simple, if difficult to divine: to elevate her charges whenever and however possible.

You couldn't say that Sister Grace Agnes went about her intentions the right way. In this society, harassing and haranguing students in your classroom is completely unacceptable. Not to mention the open-palmed smacks in the face that she delivered when a student misbehaved.

Moreover, if Sister Grace had taught math, I would not be writing this piece about her. I would have had no reason to seek anything admirable in a tyrant who ruled mathematics, because I despised that subject. But Sister Grace clutched golden keys to the land of my ambition: English grammar. And so, in sixth grade, when I was assigned to her homeroom, I was kind of glad--in a flinching way, because she was definitely the most feared nun at Most Precious Blood School [pause to insert laughter over ironic school name here].

Sister was in her late fifties when she taught us, not much taller than we were, with a dollop of steel-grey hair peeking out of her white-rimmed veil and a piercing gaze. She had a slight limp when she walked, and while she wasn't large in girth, her shoulders were squared off enough to be intimidating. Legend told us, and experience bore out, that she would not hesitate to take a swing at anyone, even the roughest students in the class. And she kept even those kids off-balance, so that order reigned in her classroom. There were times when she smiled or chuckled, and her face would be transformed into someone's daughter, someone's friend. But when that light moment faded, she was all business. As the old-fashioned saying goes, she brooked no foolishness. 

Sister Grace's teaching method never varied from year to year. From Day One, she possessed a set of index cards upon which she had written (in her flawless penmanship) the names of each student. In your hard-bound, black-marble-cover notebook, from Day One, you would transcribe the definitions of every grammatical rule. Sister dictated; you scribbled furiously. And then, you memorized. If you knew what was good for you, that is. Because within a few days of those scribbles, you would be asked to recite the rules she had dictated. "Asked" is not the right verb, actually...demanded. Sister would stand at the front of the classroom with the afore-mentioned index cards held firmly, at viewing distance from her bifocals. And she would bark the surname of a student, randomly, followed by a part of speech. As in: "Martinez. Predicative nominative." And Martinez would be expected to immediately say the definition of that rule, word for word as it was in the notebook. (Only, without the notebook.) "The predicate nominative follows a verb of being and refers back to the subject." (See what a little fear will do for you?)

If Martinez faltered, Sister would flip the card and bark the next name...noting the faltering, so that grades could be rendered later. It was Grammar Boot Camp. And for me, it packed all the thrill of a game show, because I adored the subject matter and strived to know it.

Sister Grace's other major task in sixth grade was teaching us to diagram sentences. Universally, everyone groans about this seemingly pointless exercise, and guess what? I loved it. I was, in fact, exhilirated by it. To me, diagramming was a puzzle that I relished solving, each new sentence a challenge to my burgeoning writer's mind. I never, ever got less than 100 percent on a diagramming test (and we had them at least once a week).

Despite such successes, did I fear this intimidating nun? Indeed, frequently. I dreaded the thought that some minor motion of my hand, some facial expression, some lighthearted glance at another student might cause Sister to barrel down my row and wallop me silly. I saw it happen to many others. My abject terror was such that Sister Grace assigned me a classroom name: Nervous Nellie. Boy, was that fitting for the geeky, jittery kid I was.

So you're wondering where my admiration for this bizarre creature comes in. Well, at the rear of Sister Grace's classroom was a little library. I don't remember any other teachers at Most Precious Blood maintaining a library such as this. It held Scholastic books of the day (nothing too topical, mind you), as well as numerous older books of the Cherry Ames, Student Nurse variety. In a previous blog, I mentioned that my mom resisted my incessant pleas to buy books. "You already have plenty," she'd say. I know now that we were pretty strapped for cash, but it never made sense to me then. Anyway, Sister Grace, for that year, supported my insatiable reading habit by allowing me to take her books home. This was a privilege, and I was extremely careful, never allowing those books to dog-ear or get grease spots at the kitchen table. 

After school, there was a tradition that kids would throng around teachers they liked and walk them down the block towards the avenue, where everyone went separate ways. Someone would volunteer to hold the teacher's bookbag. It wasn't a brown-nose thing, it was more like an informal way to end the school day. Needless to say, Sister Grace had only a smattering of students who ever wanted to walk with her to the convent.

One afternoon, Nervous Nellie found that Sister Grace Agnes had fallen into step alongside her. "You've been reading the books about student nurses," she said to me. A flat statement it was, delivered in her strident voice.

"Y-yes, Sister," I said. "I really like those series." (I did.)

"Are you thinking you might like to be a nurse someday?"

"I don't know...I guess I've thought about it," I said, not accustomed to having adults ask me things like that.

In the slow walk to the convent, Sister proceeded to tell me about how she had wanted to be a nurse as a young woman. (Pre-nun, this was!! The sisters never talked about pre-nun days.) Unfortunately, she contracted polio and became sufficiently weakened that it was deemed she would not be able to handle the rigorous life of a nurse. Thus...teaching.

Thus...the burning ambition that I thenceforth saw in her eyes, thwarted and dulled. 

Thus...my appreciation that she tried, albeit not in the best manner, to at least give her students something: proper English. Which, Lord knows, the streets of Queens were not offering to us on a regular basis.

I found it impossible to defend Sister Grace Agnes to my peers. But many times after that, I walked with her to the convent door. And as the year went along, I came to understand that she had ambitions for me. That was a secret that I held like a jewel. It buoyed me to an excellent high school, and an even better college. Brought me out of Queens, which was a transition I needed to make. More to the point, her support helped me believe in myself. Family members can reassure you all they want; you're never sure if they're just saying that because they love you. But when the woman who rules class 6-305 makes it clear that she knows your worth and expects you to fulfill it, you are persuaded.

Before I launched into this, I googled "Sister Grace Agnes" and actually found a fellow alum of Most Precious Blood who cited her influence:
http://trafcom.typepad.com/blog/2005/11/break_some_rule.html

My fellow alum, Donna, is a writer and an editor. What do you know...Sister Grace nurtured at least two of us. I've e-mailed her, of course, because what are the odds? In the meantime, her blog provides the ultimate capping line for this piece:

"You have to know the rules before you can break them. Amen." 

The dance

A moment in my day froze today, while I lived it. Paused and assembled into a memory that would last, with all the sensory elements recollected.

 

Peter and I d.j.'d a wedding reception tonight. This was the latest in a series of stressful events in our lives, and getting ready this afternoon, I cracked. (PMS, you are no friend of mine, and my family wishes you would get lost also.) I snapped twice at Pete because he just wasn't doing things at the frenzied robotic pace I was maintaining. Why isn't he dressed? Why aren't the speakers in the van yet?? my mind was ranting. I prefaced one of my outbursts with "I'm realLY PANICKING HERE!" which came out escalating, just like that. Maybe this sounds minor or stupid, but I just don't get mad very often. And never like that at Pete. Even worse, it wasn't really him I was mad at—it was my stress, my nerves, and my eternal penchant for taking on too many things that have honking deadlines and tons of associated details.

 

That wasn't the moment I had in mind, anyway. It's just a mortifying preface moment to the actual one. I never had time to apologize to Pete, that's how busy we were...and my resultant internal discord seemed so at odds with the wedded bliss we were soundtracking in the reception hall. Finally, six hours into the job, the last song slid into the CD deck: "You're Still the One" by Shania Twain. The bride and groom collapsed into the familiar fit-together of a slow-dance, as they'd done about a dozen times already. I stood up to stretch...and when I opened my eyes, in front of me was Peter's extended hand.
 

In the semi-darkness of the d.j.'s corner, we slow-danced. And here's the moment: my face pushed up against his chest. The tweedy jacket texture, that man-scent. And the flood of connection, forgiveness, and gratitude I felt in his arms. We fit together too, his tall-guy chin resting on my head, his hand caressing my neck, mine on his back, low. That moment: our married experiences, compressed into one dance. 

 

They said, "I bet they'll never make it..."
But just look at us holding on,
We're still together, still going strong.
You're still the one I run to,
The one that I belong to,
You're still the one I want for life.
You're still the one that I love,
The only one I dream of,
You're still the one I kiss good night.

 

Writing this, I'm crying for joy, not the first time today. I'm used to crying for others' joy—it's a by-product of providing first-dance music for people whose love shines all around them. Now it's mine, ours, his.

 

Enough writing. He's waiting for me.

One year ago

Exactly one year ago right this minute, I was in the Boston Greyhound station, impatiently waiting for my connecting bus to New York City. Frantically rushing to my mom's side, because after a few uncertain weeks of tests and questions, the doctors had finally honed in on ovarian cancer as the cause of Mom's illness. The oncologist was due to visit Mom the next morning at 6:30, and I had to be there. Science writer, daughter, friend, I had responsibilities. 

My bus deposited me at Port Authority at 4:30 a.m., and I snagged a taxi uptown, dragging a suitcase that was weighted with the uncertain length of my stay. Mom had already apprised the Lenox Hill security staff of my unusual arrival time, so in I went at 5:15, when the hospital was still and gray with dawn.

Thank God I got there when I did. Other than some annoying symptoms, Mom was fully herself. She'd been crossword-puzzling, watching the city from her windowside chair, chattering with her roommate about the other people on the floor, red hair as resplendent as it could be under the hospital circumstances.

She waited for me expectantly in her chair. I'll never forget the sight of her leaning towards the door, her face yearning. I was yearning too. As we hugged, her mother-scent enveloped me and I felt young in a heady moment. That was all too fleeting, because with the arrival of the oncologist, I became mastermind interpreter and keeper of the medical details...roles I held firmly, with fire in my eyes, until the day she died.
 

That day came too damned soon. The woman I first saw at Lenox Hill, while slightly impaired physically, was cognitively and emotionally my mother. However, once chemo treatments began, everything about Mom faded and paled...except for one thing: the keen, unbearable pain. Soon she would never sit in that windowside chair again. Soon she would require a walker to get from her bed to a commode. Soon she would not be able to get to the commode in time at all.
 

I did not intend for this entry to become a catalog of Mom's illness, because having lived it, I would just as soon erase it. An impossibility: I will bear the images, the memories, and the extreme emotions of those three months forever. But what I was trying to convey was the rapidity of my mother's decline. Bizarrely, in the midst of it, each day crawled, twisted, and distorted. However, with that year thankfully in the rearview, I now find myself stunned at how quickly Mom's sickness became a life-threatening wrestling match. And how stacked against us it all was--when I was in New York, that thought truly didn't sink in. I pushed every resource at the fight because I believed.

 

I am a fan of believing. In fact, despite the overarching, soul-threatening suckiness that was 2/05-2/06, I remain an optimist. Kind of my trademark, I guess. And it's exactly what Mom wanted from me: not only in the hospital, but throughout our entwined lives. Hard to convey what a profound realization that is for me. Makes me cry, surfacing it.

 

When this blog began to take shape, iTunes tossed this song at me. It says absolutely everything that I'm feeling on this unwanted anniversary (not to mention the wrenching minor-key accompaniment). 

 

Hello, how are you.
Have you been alright,
through all those lonely, lonely, lonely, lonely, lonely nights?
That's what I'd say, I'd tell you everything,
if you'd pick up that telephone.

 

Hey, how you feelin'?
Are you still the same?
Don't you realize the things we did, we did
were all for real--not a dream,
I just can't believe
they've all faded out of view.

 

Doo wah, doobie doobie wah, doo wah doo lang
Blue days, black nights, doo wah doo lang
I look into the sky
(the love you need ain't gonna see you through)
And I wonder why
(the little things are finally coming true)

 

Oh, oh, telephone line, give me some time, I'm living in twilight
Oh, oh, telephone line, give me some time, I'm living in twilight

 

Okay, so no one's answering,
Well, can't you just let it ring a little longer, longer, longer....
I'll just sit tight, through shadows of the night,
Let it ring for evermore....

 

Oh, oh, telephone line, give me some time, I'm living in twilight
Oh, oh, telephone line, give me some time, I'm living in twilight

 

From 1982 on, my relationship with Mom was primarily conducted by phone, pretty much daily. We were each other's checkpoints. 

First Mom blog. My friends, this is a huge milestone for me. I miss her to the point of tears every day and had begun to fear I'd never get anything said. Muse, inspiration, whatever it is...now I know the words will come. The other thing that Mom always expected of me.

"Super" Bowl

Not a football fan. Never have been. Okay, I liked the Jets in the '70s because Namath was ultrahot, plus they played in my "backyard" at Shea...that's about it. 

So in my world, what made that game "super" last night? 

 

Well, we had friends over. Two frat brothers who've recently relocated to our area (one brought his sons, ages 10 and 9). And another guy, a work friend of Pete's. I was initially irked about this gathering, because Pete didn't ask before he extended these invites, and I knew what an abject wreck my home was. 

Thus I spent Sunday surrounded by the dizzifying scent of cleansers. (Lest you think this resulted in a spanking clean house, fret not--it only produced three usably clean rooms [LR, kitchen, downstairs bath]. I remain true to my messiness.) I merged the cleaning whirlwind with a cooking frenzy: chili with rice, homemade guacamole, spinach-cheese bars, chocolate-chunk cookies. All my food was raved about and no leftovers!--that felt awesome. Ergo, wifely success.

However, what made the evening super was the opposite of my wifedom: camaraderie, for lack of a better word. No, in fact, I can do better: shit-shooting, hanging-out without clock-watching, beer-swilling (one non-alki, but I nursed that), pointless conversations about the rather large-looking panties that were thrown onstage for Mick (were they panties? we couldn't reach consensus) and the monster-baby-Hummer ad and whether that ball was really over the line. The me that I had forgotten about when Pete told me we were having people over. I had pictured myself wrangling 4 kids plus 2 extra while the guys hung out. In reality, 3 of the kids immersed themselves in Pokemon battles, my 2 youngest went upstairs to invent puppet shows, and my eldest drifted happily from group to group. 

 

Freed, I reinhabited the persona that two of our guests know best (and that Peter married, BTW). And the third guest fit right in--in fact, he's the one who encouraged us to flip over to Animal Planet while the game was winding down, so we could all watch Puppy Bowl II...a bunch of adorable little doggies in a "stadium" playing with chew toys and rolling around together. 

 

I paid dearly for all of Sunday's hoopla. Pete's apnea is always compounded by beer, so I truly didn't get deep sleep until 6 a.m. when he got up. I had a migraine-with-aura at work this afternoon (like looking through cut crystal, all rainbow shards and flashes and wavy distortions). And I should be in bed now, but I napped after dinner, which bought me some extra time on this end.

But it was worth it. I learned something new (which ended up being something old...) and I'm always up for that.