I have a lot of friends with kids. Sibs with kids, too. Only here's the thing: Peter and I were pretty much the first among us to have a child. So I feel compelled to share with you all that I am currently in the throes of what feels like a solar wind (you know, that phenom of waves that engulf the Earth and cause Northern lights?) Like, a momentary swirl of energy that seems to be changing everything. And in my case, accelerating it.
I have a son who is taller than me. He's grown 6 inches in 6 months, blink and you'll miss it. I just flipped through a bunch of photos I had posted on Facebook, and in none of them is he taller than me (or his older sister, for that matter). Suddenly, now: young man. Will shares a bunk bed with the thankfully-still-small Des, and when I go in to check on Des before I go to bed...there's this hulking guy whose feet don't fit in the lower bunk! Ack! Oh. Right.
Then there's this college business. I know, I wrote about this before. I've written a lot about Zoe this year. But from the slow, tortuous agony of getting applications in and visiting campuses and whatnot, I find myself the mom of a young woman ready to go to the next stage. She's not chomping at the bit, nor is she packing yet (she's my daughter, after all). But I tell you she is ready. Composed, whole, and so prepared to immerse herself in art-making and learning. This summer, she's juggling two jobs. In light of my own work-juggling life, this means we are the proverbial passing ships. I'm shaking my head because, again, it's as though a wand had been waved. Swoosh! Presto-chango.
And about those two youngers who are perpetually called youngers? Lydia is getting astonishingly tall and self-confident. She is comfortable with herself. I find myself wondering now whether that is the quality that sent all of her care providers into a she-needs-to-be-tested mode. She's just not like any of her peers. Never was, never will be. And as she ages, she inhabits that knowledge beautifully. There's awkwardness about her, don't get me wrong. But I am filled with pride at her emergence.
Desmond is still my "huggy!" guy. Unlike the others, his growth spurts have been modest (although size 6 pants are waaay in the past now). When he hugs me, he's still at my waist. His tangle of curls is right at the level of my hand to tousle it. He loves it when I do that. Still, stay tuned. The potential energy in him is vast. :)
I am changing, too. (That's the understatement of the year.) It roils me and thrills me. But as with the Northern lights, my bursts of color and creating feel as though they are out of my direct control...they're happening because they must. Also, to complete the family-unit analysis, none of my life changes can occur without the complaint-free adaptations of Peter. He is demonstrating grace and quiet support that I have seen many, many times: with my grandfather; in the labor room; during Mom's illness (and before it became obvious); pretty much every day, dealing with an absorbed, spacey, enthusiastic, broody wife. Peter = rock. I learned that in CCD, and it's still the truth.
27 July 2008
01 July 2008
Inspiration station
So far I've thought of a few clever catchphrases to launch this entry. I will share them in the aggregate, because I don't think any single one is clever enough to carry the weight:
Supplies, kits, workshops, ideas, digital printing, genealogy/heritage projects, support, inspiration: that's our business plan in a nutshell.
Erin and I went on a buying trip last week (feels like last month, that's how crammed every day is right now!) On the Internet, I had found this fantastic resource for fabric and goodies in Paterson, NJ:
Needlecraft is a wholesaler with 77,000 bolts of fabric and a helpful, supportive staff presence in their warehouse. We spent a whole day there, selecting fabrics and notions, learning about many different lines and designers, and discussing the business with Sam, Paul, and Jen.
At day's end, Erin and I had three cartloads of fabrics:
(Incidentally, we have toyed with calling the store Naivete. And our secret superhero identity: Chicks with Bungees.)
Yesterday the wealth of fabric arrived at our store space, representing our first influx of stock. Nothing else to say about that, except yay yay yay!
I called this post "Inspiration station" because our enterprise is located in a remodeled gas station (at left). I adore that incongruity...but maybe it's not so incongruous: a building that sits at the center of our village, which for decades served a deeply practical and unifying function, is now repurposed--yet still has the potential to unify and lead to tangible outcomes. Okay, so art/craftmaking is not always practical, but when you set about gathering materials into a new object--and that object was created using your memories, emotions, and skills that have been handed down over centuries...well, yeah. Not a gassed-up or repaired vehicle, but it might take you places anyway. And quilts can sure warm you up come January.
I started a store, that started the whole world...shopping....
When the going gets tough, the tough open a store.
Nessa Reifsnyder: writer, editor...business owner.
When the going gets tough, the tough open a store.
Nessa Reifsnyder: writer, editor...business owner.
Perhaps that last one is the best summation of what I'm trying to say here. With a business partner named Erin whose enthusiasm is, paradoxically, calming; and a collection of ideas that are designed to spark creativity in others (and in us); I have been incredibly fortunate enough to become a small-business owner.
Presenting...our logo:
Supplies, kits, workshops, ideas, digital printing, genealogy/heritage projects, support, inspiration: that's our business plan in a nutshell.
I think it's safe to say that I've never felt the mix of emotions that are brewed by this entreprenurial activity. I'm composed and serene, while also roiling with concern and anticipation. I'm ready and, simultaneously, unprepared. My creativity is feeling colorfully and texturally stimulated, yet my left-brain is wide awake (with columns of numbers and tax-code laws dutifully lining up to be analyzed and tabulated).
Erin and I went on a buying trip last week (feels like last month, that's how crammed every day is right now!) On the Internet, I had found this fantastic resource for fabric and goodies in Paterson, NJ:
Needlecraft is a wholesaler with 77,000 bolts of fabric and a helpful, supportive staff presence in their warehouse. We spent a whole day there, selecting fabrics and notions, learning about many different lines and designers, and discussing the business with Sam, Paul, and Jen.
Paterson is also the city where my grandmother Hazel resided for a number of years until her death in 1966. So I was able to merge this buying trip with some much-needed genealogy...setting my heart right, so to speak.
At day's end, Erin and I had three cartloads of fabrics:
(Incidentally, we have toyed with calling the store Naivete. And our secret superhero identity: Chicks with Bungees.) 
Yesterday the wealth of fabric arrived at our store space, representing our first influx of stock. Nothing else to say about that, except yay yay yay!
I called this post "Inspiration station" because our enterprise is located in a remodeled gas station (at left). I adore that incongruity...but maybe it's not so incongruous: a building that sits at the center of our village, which for decades served a deeply practical and unifying function, is now repurposed--yet still has the potential to unify and lead to tangible outcomes. Okay, so art/craftmaking is not always practical, but when you set about gathering materials into a new object--and that object was created using your memories, emotions, and skills that have been handed down over centuries...well, yeah. Not a gassed-up or repaired vehicle, but it might take you places anyway. And quilts can sure warm you up come January.17 June 2008
Leap, and the net will appear
I haven't posted a blog in months, because I unexpectedly became preoccupied with my occupation. It happened like this: suddenly in April, I learned that I was no longer classified as a writer/editor at my full-time, 14-years job. Instead, I was placed in a middle-management kind of slot, unceremoniously, with one boss instead of the variety of co-workers who've traditionally asked me for written pieces or editorial help. (And when I say variety, I mean it. I used to thrive on that constant swirl of interactions and work styles. I crave writing in different voices, for different audiences.)
This change-of-circumstances walloped me hard. I was stunned, actually, by the intensity of my emotions. I kept wondering: Who am I, really, to think that I should have any say in my professional fate? People get reassigned--and worse, downsized--all the time. I should be glad they want me at all; who cares what the position is. Right?
But it did not work that way. Try as I might, I could not convince myself that I was all right with this abrupt shift. I agonized, I seethed, and I felt bereft. And it took me weeks to really grasp why. I had held on in this office setting for 14 long years, through 10 bosses, unbelievable dramas, grueling deadlines, and demanding fundraising goals. At every turn, during each upper-level shake-up--and there were plenty--I was the one who would advise my co-workers, "Hold the boat." I'd say that with calmness and reassurance, and I meant it--because back then, I was a writer. Not the kind of writer that my kid-self had vowed to become...but at least I was a writer. Having made a career out of that skill was important to me and my self-esteem, down to my core. My surety had been grounded in it.
As this spring went along, it was clear that the change in my job was non-negotiable, and I despaired. I confided in some folks I know in our hometown, who don't work for my employer, and they described other professional opportunities that I, quite simply, had not allowed myself to consider. Liberating opportunities. Daring, also. And with no warning, I knew in an instant: I was ready.
I leapt.
Today was my last full-time day at the new-old job. I drifted through a day of mundane meetings, notes, hallway conversations, and strategizing. I didn't cry until I started writing this. But even though I'm sad to have moved on from a workplace as familiar as my own house, I'm proud that I made a momentous choice. Moreover, my family is supportive in every possible way, especially my older kids, whose own artistic selves are watching me closely. I won't describe my next-steps in detail, because it's all so new and evolving. Suffice it to say, creativity is at the heart of every choice I've made. My creativity. That was the net that was waiting for me, which I did not know when I decided to leap.
This change-of-circumstances walloped me hard. I was stunned, actually, by the intensity of my emotions. I kept wondering: Who am I, really, to think that I should have any say in my professional fate? People get reassigned--and worse, downsized--all the time. I should be glad they want me at all; who cares what the position is. Right?
But it did not work that way. Try as I might, I could not convince myself that I was all right with this abrupt shift. I agonized, I seethed, and I felt bereft. And it took me weeks to really grasp why. I had held on in this office setting for 14 long years, through 10 bosses, unbelievable dramas, grueling deadlines, and demanding fundraising goals. At every turn, during each upper-level shake-up--and there were plenty--I was the one who would advise my co-workers, "Hold the boat." I'd say that with calmness and reassurance, and I meant it--because back then, I was a writer. Not the kind of writer that my kid-self had vowed to become...but at least I was a writer. Having made a career out of that skill was important to me and my self-esteem, down to my core. My surety had been grounded in it.
As this spring went along, it was clear that the change in my job was non-negotiable, and I despaired. I confided in some folks I know in our hometown, who don't work for my employer, and they described other professional opportunities that I, quite simply, had not allowed myself to consider. Liberating opportunities. Daring, also. And with no warning, I knew in an instant: I was ready.
I leapt.
Today was my last full-time day at the new-old job. I drifted through a day of mundane meetings, notes, hallway conversations, and strategizing. I didn't cry until I started writing this. But even though I'm sad to have moved on from a workplace as familiar as my own house, I'm proud that I made a momentous choice. Moreover, my family is supportive in every possible way, especially my older kids, whose own artistic selves are watching me closely. I won't describe my next-steps in detail, because it's all so new and evolving. Suffice it to say, creativity is at the heart of every choice I've made. My creativity. That was the net that was waiting for me, which I did not know when I decided to leap.
02 April 2008
Manifesto
Page one: I am a mom. I look at any one of my children and my heart immediately fills with warmth and reaching, nurturance and ridiculous pride. This particular page has been written four times, in the whirling effort of labor and delivery. It was forged under fluorescent hospital lights, where a tone of worry and protectiveness was overlaid. It drives me like no other compulsion. On a weeknight, weary from the working world, it pushes me to stand at the stove, and when my children eat with gusto, this page’s work is momentarily done. It is the hunter-gatherer seeking affordable clothing that will be just cool enough.
Page two: I am an authority figure. More to the point: I’m like a football coach. In my head at all times is a game plan for each child (maybe not with all those x’s and o’s and arrows—though it would be cool if their lives were diagrammable like that). Strategy, rationale, the urgent need for success: all of these are in my mind with every parental mandate I deliver. And I’m not an easy coach, I know that. Sometimes my dictates seem far too frequent and pitched for my liking: I mean, fussing over fourth-grade homework assignments? Page three (see below) really does not want to care whether a kid achieves dominance over tricky mathematical word problems. Lord knows I never did. But it’s all part of the plan, isn’t it? What gates must my child go through before s/he can be deemed whole, successful, ready for adulthood? Which scouts does s/he need to impress? Which linebacker might take my child down? (See, this is where the football analogy may crumble, because I can’t say for sure if linebackers are those massive tackle-delivering guys, or what.)
Page three: I am a friend. Each one of my children’s faces inspires automatic, companionable devotion. I pine for their happiness and their satisfaction, and above all—because this is a guiding principle for me—I want them to seek joy and eschew strife. I love spending time with them as a friend would—you know, at the beauty salon with a daughter; at a museum with a dinosaur-loving son; on a train with every one of them (because we’re all train geeks). I love that we laugh at the same goofy things. I love that my iPod reflects their musical tastes as well as mine, and that there’s more overlap there than I ever imagined possible. I will offer advice as a friend whenever and however asked. I believe that each one of them knows this, but I understand that not always can they take me up on it. So in a sense, this friendship has vulnerabilities and potential pitfalls, because rejection is entirely possible. I am not deterred.
Page four: I am a writer. I watch the lives of four young people take shape, emerge, shift and grow, and as with everything else I encounter (literally), I am constantly taking notes. These people fascinate me. I know the genetic legacies they’re carrying—the personalities and appearances that resonate up from previous generations—and I’m just watching it all unreel with amazement and interest. The previous pages all lean on this page, though. They demand that I attempt to intervene and help lead these four stories. And with tearful intensity, they desire a happy ending for each. I wish they understood that once I sit down to write, I have no idea what will happen to my characters.
Page five is the person I was before these children were born. Before I met their father, even. It’s less a page than it is a film of places, people, times, and motivations that are quaint and nostalgic, now. The ill-starred fashion choices! The bumbling attempts at romance! The conversations with people I don’t see anymore! In a number of cases, in fact, those people are dead now, and I’m left to change and adapt. Thus, all of the above pages now lack the backup of some of my closest advisers and loved ones. I am forced to draw from reserves of strength that, in my youth, I had no reason to believe I would have.
All of this reflection has been prompted by a rejection letter from a college to my treasured oldest daughter. Every page of my being is challenged and affronted by this turn of events. Even more so, because the college decision and its implications for my daughter’s future—well, it’s not my game. It’s hers. I have to sigh and hope and believe (and I'm experienced in all of these). But there are tears in my eyes, regardless.
22 March 2008
Proud
Yesterday was one of the proudest days of my life, both maternally and personally. Let me explain....
This weekend, I am a con mom. I've traveled to Boston with Zoe as she makes her debut at the Artists Alley of Anime Boston (http://www.animeboston.com/)--a huge annual gathering of the tribes (i.e., tens of thousands of costumed, role-playing aficionados of Japanese manga and anime, 98% teenaged). Artists Alley is a selling-place for amateur artists, and Zoe has been working for months on her wares...posters, buttons, postcards, all featuring her art. Yesterday morning the piece de resistance arrived here from the printer's: Mahou Shounen, an actual 20-pp booklet (she calls it a mini-manga) with her own original story, characters, and inventive, accomplished artwork. The moment that we huddled together over the box and extracted the first book is engraved on my memory. (I meant to keep that first copy, but later on I showed it to another con mom in the hotel elevator and she bought it on the spot!) So we finally have a published person in our family. Self-published, in this case, but that doesn't detract at all from the achievement therein...and in fact, it allowed us a great deal of quality control and editorial say-so. I'm so proud of my artist-girl!
Originally, we were planning to send Zoe down here solo. This past week, though, it became abundantly clear that mountains of details and the heft of her baggage were going to defeat that idea. Hence, my (expensive but necessary) presence in Boston. While we are plunked right in the middle of the city's tastiest retail district, I really wasn't looking forward to a weekend of H&M envy (you know, that wistful cruising through stores whose merchandise is priced above my head and sewn below my size?) A little pre-trip websurfing, though, reassured me that I would have another option: the New England Historic Genealogical Society is a few blocks away from here.
So I spent yesterday afternoon in my element, idly paging through dusty books in search of nuggets. To access this library, it's most cost-effective to join the Society, so I signed up onsite for an annual membership. (Speaking of proud, this means I'm now a member of two noteworthy genea-orgs...the other being the Association of Professional Genealogists. Ooh, I quiver just writing that!)
I perused books and basked in the researchiness of it all, then came back to the hotel. After awhile, I logged onto the NEHGS' website to look over their databases, which the membership coordinator had mentioned to me earlier. Turns out that therein lurked the final pieces of my most resistant genea-puzzle: the early marriage days of my great-grandparents, Blanche Guillotte and William Paquin. Peter has brought me to so many town halls and archives trying to recapture the stories of their lives...but this was a "brick wall" with shame and discord for mortar, so breaking through it has been near-impossible. Their daughter, my Auntie Winnie, sat with me for an interview 10 years ago (which I blessedly have on tape), but she remembered little of the father who'd abandoned them, and the mother who did the same by tossing her five kids into orphanages when money got tight. Winnie gave me surreal half-tales, and I've spent the ensuing decade giving bones to that flesh, slowly but determinedly.
The NEHGS database brought me closure, as I finally, finally found Blanche and William's marriage record (under William's alias, William J. Benson), and then, amazingly, the birth record of their first child, a stillborn son, two months after the wedding day. Winnie remembered hearing about that son and even visiting his grave as a little girl, but she knew nothing about when or where he was born. Well, the "when" is actually a key part of the story, for he was obviously conceived out of wedlock, and he was born and died, tragically, on Christmas Day 1908.
What bitterness and grief did that engender? How did such a horrible loss on a usually joyous holiday mark Blanche and William for life? And did it feel, deep down, as though their union might be cursed? because from that point on, the stories I've heard suggest that it was.
In a brief blog setting, I can't begin to tell you the sadnesses I've discovered on both sides of my dad's family. Untimely deaths, poverty, alcoholism, thwarted dreams, loveless marriages. But I can tell you that I have been driven, urged, pushed to seek and find. I realized fairly early into this that no one else in my family was going to be able to find the facts and stitch the quilt. I don't mean that to be self-aggrandizing; it's just that for most of my life leading up to these discoveries, I've been unwittingly assembling a series of skill sets that I now can deploy to find the answers. Somewhere inside me, I know now that that those answers want to be found. Last night's puzzle pieces convinced me of that. The ancestors speak, many genealogists say. They guide us. What I would add is: They want us to know them and understand them. To tell their stories. Their sadnesses and life lessons must never be for naught.
I am proud to know them.
This weekend, I am a con mom. I've traveled to Boston with Zoe as she makes her debut at the Artists Alley of Anime Boston (http://www.animeboston.com/)--a huge annual gathering of the tribes (i.e., tens of thousands of costumed, role-playing aficionados of Japanese manga and anime, 98% teenaged). Artists Alley is a selling-place for amateur artists, and Zoe has been working for months on her wares...posters, buttons, postcards, all featuring her art. Yesterday morning the piece de resistance arrived here from the printer's: Mahou Shounen, an actual 20-pp booklet (she calls it a mini-manga) with her own original story, characters, and inventive, accomplished artwork. The moment that we huddled together over the box and extracted the first book is engraved on my memory. (I meant to keep that first copy, but later on I showed it to another con mom in the hotel elevator and she bought it on the spot!) So we finally have a published person in our family. Self-published, in this case, but that doesn't detract at all from the achievement therein...and in fact, it allowed us a great deal of quality control and editorial say-so. I'm so proud of my artist-girl!
Originally, we were planning to send Zoe down here solo. This past week, though, it became abundantly clear that mountains of details and the heft of her baggage were going to defeat that idea. Hence, my (expensive but necessary) presence in Boston. While we are plunked right in the middle of the city's tastiest retail district, I really wasn't looking forward to a weekend of H&M envy (you know, that wistful cruising through stores whose merchandise is priced above my head and sewn below my size?) A little pre-trip websurfing, though, reassured me that I would have another option: the New England Historic Genealogical Society is a few blocks away from here.
So I spent yesterday afternoon in my element, idly paging through dusty books in search of nuggets. To access this library, it's most cost-effective to join the Society, so I signed up onsite for an annual membership. (Speaking of proud, this means I'm now a member of two noteworthy genea-orgs...the other being the Association of Professional Genealogists. Ooh, I quiver just writing that!)
I perused books and basked in the researchiness of it all, then came back to the hotel. After awhile, I logged onto the NEHGS' website to look over their databases, which the membership coordinator had mentioned to me earlier. Turns out that therein lurked the final pieces of my most resistant genea-puzzle: the early marriage days of my great-grandparents, Blanche Guillotte and William Paquin. Peter has brought me to so many town halls and archives trying to recapture the stories of their lives...but this was a "brick wall" with shame and discord for mortar, so breaking through it has been near-impossible. Their daughter, my Auntie Winnie, sat with me for an interview 10 years ago (which I blessedly have on tape), but she remembered little of the father who'd abandoned them, and the mother who did the same by tossing her five kids into orphanages when money got tight. Winnie gave me surreal half-tales, and I've spent the ensuing decade giving bones to that flesh, slowly but determinedly.
The NEHGS database brought me closure, as I finally, finally found Blanche and William's marriage record (under William's alias, William J. Benson), and then, amazingly, the birth record of their first child, a stillborn son, two months after the wedding day. Winnie remembered hearing about that son and even visiting his grave as a little girl, but she knew nothing about when or where he was born. Well, the "when" is actually a key part of the story, for he was obviously conceived out of wedlock, and he was born and died, tragically, on Christmas Day 1908.
What bitterness and grief did that engender? How did such a horrible loss on a usually joyous holiday mark Blanche and William for life? And did it feel, deep down, as though their union might be cursed? because from that point on, the stories I've heard suggest that it was.
In a brief blog setting, I can't begin to tell you the sadnesses I've discovered on both sides of my dad's family. Untimely deaths, poverty, alcoholism, thwarted dreams, loveless marriages. But I can tell you that I have been driven, urged, pushed to seek and find. I realized fairly early into this that no one else in my family was going to be able to find the facts and stitch the quilt. I don't mean that to be self-aggrandizing; it's just that for most of my life leading up to these discoveries, I've been unwittingly assembling a series of skill sets that I now can deploy to find the answers. Somewhere inside me, I know now that that those answers want to be found. Last night's puzzle pieces convinced me of that. The ancestors speak, many genealogists say. They guide us. What I would add is: They want us to know them and understand them. To tell their stories. Their sadnesses and life lessons must never be for naught.
I am proud to know them.
16 March 2008
Who Am I?
Last night, the Criterion Theatre hosted a Celtic Music night. I am on the board of this theatre and I felt a certain responsibility to attend, let's say (because, while I'm a huge consumer of Irishness in general, I sometimes feel that the whole Celtic subculture can be a shade inauthentic. Sometimes even exploitative.) Lydia agreed to accompany me because one of her favorite things to do, inexplicably, is clean the theatre after an event. :: shrug :: As a board member, I'd be remiss not taking advantage of that. Plus, I have so few opportunities to bask in Lydia's personality.
Much to my amazement, this evening rocked me to the core, serving up revelation after revelation about myself, my genealogy, my daughter, and my theatre. The artists were Jennifer Armstrong (http://www.jenniferarmstrong.com/) and Ladies of the Lake (http://www.ladiesofthelakemusic.com/). At no point did either act strike an inauthentic nerve--they were interpreting the songs and instruments of the past, not shaming them. And they were all incredibly skilled multi-musicians. I learned:
1) Bagpipes and tin whistles are guaranteed to make me cry. (More about that soon.)
2) Lydia absolutely loves this kind of music, and identifies strongly with female musicians.
3) After the Jacobite Wars of the 18th century, the English banned bagpipes, the Gaelic language, and other cultural mainstays. Because bagpipe melodies had always been conveyed from master to learner as sung phrases--with words standing in for notations--the instrument endured through this ban and was readopted immediately after the ban was lifted, with the songs still handed down intact. Scots women singing as they went about their chores helped sustain the melodies.
4) The Criterion Theatre is inspirational, period. I've been dedicated to it for months now, but as a venue, it's a powerful and historical house.
When I got home from the show, I was a little crazed to capture all the emotions I was hauling around. Scrapbooking? poetry? blog? Couldn't choose. Finally, between 2 a.m. and ten minutes ago, two poems emerged to bring peace to my insides. Indulge me, if you will. It feels so good to have named these feelings that are as familiar as bread.
At the Celtic Music Concert
Bagpipes and tin whistle
make me cry
for people I will not meet
but whose breath I know,
whose blood is mine.
At some point,
every single family line
had this moment:
the ship, the coast,
the home behind,
the uneasy sea,
the unknown ahead.
My French soul,
my Irish heart:
jigs and reels
tug me home
to heal.
------------------------------
Who Am I?
I grew up in the 1970s
when heritage was optional,
when families whose ancestors had only just arrived
chose “Colonial” as a kitchen décor—
not seeing the irony in copper-clad pots
and faux hearths.
Marooned on the desert island
of a tiny Queens apartment,
my mother, brother and me:
sole survivors of a shipwrecked marriage--
another union of Irish and French,
litany of arguments and poverty and drunkenness
relived not conquered we never learn if we don’t grasp the past
They didn’t grasp the past.
Thus I was robbed of my tongues:
mumbled Québécois French
of rosaries and gossip,
crooned Gaelic
of mothers at the sideboard and fathers stumbling home.
Rootless in a neighborhood of new-arrived ethnics.
Strangely blinded to me, myself, I.
And so my search began.
Denied faces, stories and names,
discouraged from connecting,
I quested for them far and wide.
Thirty years later, I am here to report:
I have found them
in scrawled handwritten records, city directories,
and photo albums of distant cousins.
Their souls reach to me.
I feel their troubles, their joys, their births, their journeys
keenly, deeper than my heart, where mothering takes hold.
Genealogy is their embrace,
a compulsion for reunion.
(I will go anywhere to be in a room full of cousins.)
Grass and farm and factory and church.
It is standing where they were baptized
(I have)
and kneeling where they were buried (yes)
my knees dampened by eternal sod.
I am not in Queens anymore.
-----------------------------
Indeed.
Much to my amazement, this evening rocked me to the core, serving up revelation after revelation about myself, my genealogy, my daughter, and my theatre. The artists were Jennifer Armstrong (http://www.jenniferarmstrong.com/) and Ladies of the Lake (http://www.ladiesofthelakemusic.com/). At no point did either act strike an inauthentic nerve--they were interpreting the songs and instruments of the past, not shaming them. And they were all incredibly skilled multi-musicians. I learned:
1) Bagpipes and tin whistles are guaranteed to make me cry. (More about that soon.)
2) Lydia absolutely loves this kind of music, and identifies strongly with female musicians.
3) After the Jacobite Wars of the 18th century, the English banned bagpipes, the Gaelic language, and other cultural mainstays. Because bagpipe melodies had always been conveyed from master to learner as sung phrases--with words standing in for notations--the instrument endured through this ban and was readopted immediately after the ban was lifted, with the songs still handed down intact. Scots women singing as they went about their chores helped sustain the melodies.
4) The Criterion Theatre is inspirational, period. I've been dedicated to it for months now, but as a venue, it's a powerful and historical house.
When I got home from the show, I was a little crazed to capture all the emotions I was hauling around. Scrapbooking? poetry? blog? Couldn't choose. Finally, between 2 a.m. and ten minutes ago, two poems emerged to bring peace to my insides. Indulge me, if you will. It feels so good to have named these feelings that are as familiar as bread.
At the Celtic Music Concert
Bagpipes and tin whistle
make me cry
for people I will not meet
but whose breath I know,
whose blood is mine.
At some point,
every single family line
had this moment:
the ship, the coast,
the home behind,
the uneasy sea,
the unknown ahead.
My French soul,
my Irish heart:
jigs and reels
tug me home
to heal.
------------------------------
Who Am I?
I grew up in the 1970s
when heritage was optional,
when families whose ancestors had only just arrived
chose “Colonial” as a kitchen décor—
not seeing the irony in copper-clad pots
and faux hearths.
Marooned on the desert island
of a tiny Queens apartment,
my mother, brother and me:
sole survivors of a shipwrecked marriage--
another union of Irish and French,
litany of arguments and poverty and drunkenness
relived not conquered we never learn if we don’t grasp the past
They didn’t grasp the past.
Thus I was robbed of my tongues:
mumbled Québécois French
of rosaries and gossip,
crooned Gaelic
of mothers at the sideboard and fathers stumbling home.
Rootless in a neighborhood of new-arrived ethnics.
Strangely blinded to me, myself, I.
And so my search began.
Denied faces, stories and names,
discouraged from connecting,
I quested for them far and wide.
Thirty years later, I am here to report:
I have found them
in scrawled handwritten records, city directories,
and photo albums of distant cousins.
Their souls reach to me.
I feel their troubles, their joys, their births, their journeys
keenly, deeper than my heart, where mothering takes hold.
Genealogy is their embrace,
a compulsion for reunion.
(I will go anywhere to be in a room full of cousins.)
Grass and farm and factory and church.
It is standing where they were baptized
(I have)
and kneeling where they were buried (yes)
my knees dampened by eternal sod.
I am not in Queens anymore.
-----------------------------
Indeed.
22 January 2008
Mothering
Motherhood is on my mind. Perhaps a ludicrous statement coming from a mother of four...but mostly, my mothering is instinctive, without forethought or deep reflection. Well, I'm deep-reflecting because my dear friends Doug and Bridget have just welcomed little Jak-Jak into the world, and coincidentally, I spent hours yesterday flipping through stacks and stacks of old photos. (Remember those? Those slippery rectangular paper moments, shiny in the light, that require some sort of clear-paged album to gather them into a chronology?)
To flip through photos in this house means to revive babyhood for four distinctive personalities. You end up looking at these baldy little people; only their eyes and the occasional familiar facial expression belie who they became later. But of course, beyond that, I'm emotionally yanked there for each picture: The sleep-deprivation. The joy of their first communication (each of our kids first said ahhhh-gooooo before anything else). The ceaseless teething. The napping-on-my-shoulder. All the feedings (cumulatively, I breastfed for nearly 6 years).
Of all my kids, the last child summons the most immediate set of memories. Perhaps that's an of-course thing, but I'd like to use that immediacy here to evoke what it feels like to be a mom. Because I don't often write about it (see above...instinctive.) And because I love my motherhood, every day.
In hindsight, I guess it’s good that I wasn’t fixating on Desmond as my last baby when he was an infant. Because, truly, that thought never entered my mind--and I’m glad, because it might have distracted me from the heady, commonplace joy of mothering him. That rush when I lifted him up under the arms, and his hands and arms reached and circled upwards automatically, so that he could embrace my neck and hold on with chubby hands. That mutual move, of course, leads directly to the baby’s head being right near your face, so you can breathe deeply and take in the intoxicating scent of his softsoft skin, the halo-fuzz of his baby hair right against your nose. Meanwhile, his angled legs and toes in footie pants bounce and kick against your stomach gently. One of your hands is clutching stretchy terry that covers a clowny, plastic-diapered bum. The other feels his shoulder blades, the hollow of his back. You are all protection at this moment: a tiger with a gushing full heart.
When you look at his face, he has the tiniest mouth you’ve ever imagined: an ooh shape that you must supply with milk--and in these early days, the next meal always seems to come sooner than you were expecting it, which keeps you dizzily unhinged from routine and reality. After three breastfed babies, my fourth presented some unique issues. Let’s just say that my feeding vessels were extraordinarily out of size-sync with his wee hungry mouth. Thus, feeding Desmond was a daily ritual of initial searing pain and calming-down gradually; multiple times a day, for four months straight, until I healed and toughened.
In hindsight, I guess it’s good that I wasn’t fixating on Desmond as my last baby when he was an infant. Because, truly, that thought never entered my mind--and I’m glad, because it might have distracted me from the heady, commonplace joy of mothering him. That rush when I lifted him up under the arms, and his hands and arms reached and circled upwards automatically, so that he could embrace my neck and hold on with chubby hands. That mutual move, of course, leads directly to the baby’s head being right near your face, so you can breathe deeply and take in the intoxicating scent of his softsoft skin, the halo-fuzz of his baby hair right against your nose. Meanwhile, his angled legs and toes in footie pants bounce and kick against your stomach gently. One of your hands is clutching stretchy terry that covers a clowny, plastic-diapered bum. The other feels his shoulder blades, the hollow of his back. You are all protection at this moment: a tiger with a gushing full heart.
When you look at his face, he has the tiniest mouth you’ve ever imagined: an ooh shape that you must supply with milk--and in these early days, the next meal always seems to come sooner than you were expecting it, which keeps you dizzily unhinged from routine and reality. After three breastfed babies, my fourth presented some unique issues. Let’s just say that my feeding vessels were extraordinarily out of size-sync with his wee hungry mouth. Thus, feeding Desmond was a daily ritual of initial searing pain and calming-down gradually; multiple times a day, for four months straight, until I healed and toughened.
Never once did it occur to me to connect the pain of feeding Des to him, personally; nor to give up this wacky breastfeeding idea and go for the instant, mutual gratification of bottles. Never once. It may be that, buried deep in my subconscious, I did know that this was the last hurrah for my feeding capacity--which had served everyone so well for a decade that I wanted to let the glands do what they did best, like a thoroughbred. Plus I adored the flow of communication--that’s truly what it is, silent communication, an exchange of needs and warmth--that occurred between me and this baby.
Des adored it, too. Clearly, any early challenges with his feeding did not affect him. In fact, he refused to have anything to do with any other mode of feeding than me, for almost a full year. Never did a bottle make it past his clenched lips; he wouldn’t consider it. And then, even as solids and sippy-cups dribbled into his life, I remained his go-to for two more years. Sure, it dwindled to just morning and night. No, he never asked for it by name in public, ever, or hoisted my shirt or pointed. But I knew when he needed it...and somehow, he knew I still needed it, too.
At intervals, seeking to be practical, I took "weaning vacations" of 3-5 days’ duration (and if I thought my feeding vessels were sizable before, those vacations swelled them into boulders). Since I went on actual trips--the only way I could break the feeding patterns--those ended up being my first adventurous forays away from home and family in four years. Felt great to tentatively reclaim my identity, but a low buzz of distraction persisted throughout each trip. As soon as I returned home, set down the luggage, and hugged everyone else, Des and I would sit down into the nursing posture (because, according to the clever books, this was the ah-ha moment that I would say, “Sorry, honey, Mumma’s milk is all gone"). I’d brace myself for that inevitability--his disappointment, my apology and the hug that would follow it. Then Desmond's head would cradle against the inside of my elbow, and--shazam!--what?!--a meal would be there again! defying any engineered attempts to alter the timing of weaning.
A few months later, Des’ nursing ended without any fanfare at all. No efforts on my part. Just: done. I believe it was a Monday night, just before bed. He wriggled in my lap in his blanket sleeper, newly turned three, and his eyes looked up and confronted me. He did not angle his head to nurse. He smirked a tiny bit with that familiar mouth. Yup, I get the message, Des. And no boulders afterward, either. So we were both done. Painlessly.
Des adored it, too. Clearly, any early challenges with his feeding did not affect him. In fact, he refused to have anything to do with any other mode of feeding than me, for almost a full year. Never did a bottle make it past his clenched lips; he wouldn’t consider it. And then, even as solids and sippy-cups dribbled into his life, I remained his go-to for two more years. Sure, it dwindled to just morning and night. No, he never asked for it by name in public, ever, or hoisted my shirt or pointed. But I knew when he needed it...and somehow, he knew I still needed it, too.
At intervals, seeking to be practical, I took "weaning vacations" of 3-5 days’ duration (and if I thought my feeding vessels were sizable before, those vacations swelled them into boulders). Since I went on actual trips--the only way I could break the feeding patterns--those ended up being my first adventurous forays away from home and family in four years. Felt great to tentatively reclaim my identity, but a low buzz of distraction persisted throughout each trip. As soon as I returned home, set down the luggage, and hugged everyone else, Des and I would sit down into the nursing posture (because, according to the clever books, this was the ah-ha moment that I would say, “Sorry, honey, Mumma’s milk is all gone"). I’d brace myself for that inevitability--his disappointment, my apology and the hug that would follow it. Then Desmond's head would cradle against the inside of my elbow, and--shazam!--what?!--a meal would be there again! defying any engineered attempts to alter the timing of weaning.
A few months later, Des’ nursing ended without any fanfare at all. No efforts on my part. Just: done. I believe it was a Monday night, just before bed. He wriggled in my lap in his blanket sleeper, newly turned three, and his eyes looked up and confronted me. He did not angle his head to nurse. He smirked a tiny bit with that familiar mouth. Yup, I get the message, Des. And no boulders afterward, either. So we were both done. Painlessly.
I can never fathom where the years went, between the suspended-in-time early months of Des’ life, and the backpack-toting blond wonderment who clambers onto the bus every morning. But when his gray-blue eyes assess me--when we’re talking or reading or getting pajamas on, and our eyes meet--it’s all there. The connection. The gratitude. And things that don't change, in the midst of childhood growth spurts and inevitable transitions: boy to bigger boy.
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